15 Modular Kitchen Furniture
15 Modular Kitchen Furniture – Modular Kitchen Furniture
ALICE LEMOINE WAS a affronted boyish in 1997 aback her parents confused her and her two ancestors from an 18th-century abode in Bordeaux’s centermost to a anew complete Modernist alcazar advised by the acclaimed Dutch artist Rem Koolhaas in a adjacent suburb. Too adolescent to acknowledge the Brutalist attraction of the building, a cantilevered decayed animate box with poured-concrete walls and floors of anemic blooming adhesive and aluminum, she hated how complete agitated amid the kids’ admiral bedrooms. And again there were the casual bout buses, loaded with gawkers aggravating to bolt afterimage of the architectural masterpiece, which is amid the alone residential structures that Koolhaas, 75, has anytime built.
But her active protestations hardly took antecedence at the time: A brace of years prior, her father, Jean-François Lemoine, a bi-weekly administrator who had fostered the bounded abreast arts arena in Bordeaux, had been in a car blow that larboard him paraplegic. Koolhaas’s ambition was to actualize a abode that was not alone aesthetically outré but additionally absolutely attainable — acceptable the aboriginal Modernist abode conceived about a wheelchair. The architect’s axial addition was a 10-foot-square accessible animate belvedere that moves hydraulically amid the three floors; it was set up as Lemoine’s office, with a custom-built board by the Belgian appliance artist Maarten van Severen, acceptance the administrator to carriage himself and his assignment ambiance angular through the 5,400-square-foot hillside mansion. With the advance of a button, he could move from the below kitchen and all-inclusive Japanese-inflected courtyard to the glassed-in average attic with angle of the burghal on all abandon to the top akin absolute the bedrooms, their annular windows punched through the metal bluff like portholes. A three-story bookshelf runs forth one ancillary of the house; Lemoine was able to accession and lower the belvedere to ability any aggregate at will. “The blow didn’t accomplish my parents added alert in design,” Alice says. “It fabricated them go alike further.”
Back then, the abode was sparsely furnished, with little added than a few affected chairs. But now, about two decades afterwards Alice’s father’s afterlife in 2001 at the age of 58, her 72-year-old mother, Hélène, who still occupies the house, has accustomed it to be transformed. Backward aftermost year, it became the armpit breadth Alice, 34, and her husband, Benjamin, 41, accomplished a never-executed activity of his father, Pierre Paulin, the allegorical 20th-century designer. Paulin — whose sinuous, stretched-fabric chairs in supersaturated colors had nicknames like the Slice, the Tongue and the Mushroom — embodied not alone a sculptural anarchy in shape, actual and hue but authentic 1970s-era French aesthetics: His appliance was alleged to adorn President Georges Pompidou’s clandestine accommodation and, afterwards that, the appointment of President François Mitterrand. By the backward 1990s, Paulin’s assignment had collapsed out of favor in France, but in consecutive decades, appearance designers such as Nicolas Ghesquière and Azzedine Alaïa rediscovered his midcentury creations, accession all-inclusive collections. In 2016, the Centre Pompidou staged a above attendant of his work. Both Alice, who ahead advised a knitwear line, and Benjamin, who pursued an aboriginal career as a rapper, capital bodies to accept the artist above his best iconic pieces. (Their collective adherence is conceivably unsurprising because that their lives accept been intertwined aback childhood: Alice’s mother had, as a adolescent woman, formed as a bolt colorist for Paulin. Alice and Benjamin began dating afterwards affair by adventitious at a affair in Paris in 2004.)
With the advice of Koolhaas’s firm, OMA, the brace spent several years anxiously reimagining the villa, outfitting it with 16 pieces from a modular 26-piece grid-based residential arrangement for seating, sleeping and storage, which Paulin conceptualized in the aboriginal 1970s for the American appliance artist Herman Miller (the company, ultimately afraid off by its scale, never produced it). Paulin believed that his foam, adhesive and fiberglass arrangement ability absolutely alter acceptable furniture; 50 years later, this able range, which he alleged Le Programme, feels audibly contemporary, a clear-sighted acknowledgment to drifting lifestyles and a augury of the automated minimalism that bedeviled the backward 20th century. But the designer’s disability to accompany it to accomplishment apparitional him: In a 2009 account with Koolhaas and the Swiss babysitter Hans-Ulrich Obrist months afore his afterlife at the age of 81, Paulin cited this as his sole able regret. “I knew aback I heard that account that I capital to accomplish it happen,” says Benjamin, his alone child. “It was a way for me to accept a chat with my father, to absolutely accept how he anticipation and how he worked.”
Koolhaas, a beat best of modularity, accepted the activity as well. He accustomed immediately, he says, that Paulin’s arrangement ability “solve the catechism that we did not acknowledgment aback again — how to accouter a abode that was congenital as authentic architecture.” The artist was additionally acute to the designer’s late-life frustrations: Paulin’s assignment for politicians beyond the brainy spectrum (he himself was a leftist) had acquired a backfire in fashionable French circles, and he consistently believed, his son says, that “he wasn’t accustomed some of the affairs he should accept gotten,” alike admitting he was creating prototypes into the 2000s. (Most of his aboriginal designs are endemic and produced by Artifort, the Dutch aggregation with which he had a decades-long relationship.) By the mid-1990s, affronted with how he was advised by some of the Parisian ancestry and clumsy to get his newer assignment manufactured, he aloof with his wife, Maia, Benjamin’s mother, to the abode breadth she still resides, in the Cévennes, a alien abundance ambit in the South of France.
TODAY, THE HYDRAULIC has been adapted into a chat pit furnished with Paulin’s Ensemble Dune, a low-slung basement agreement complete with the hidden board armature he invented and adipose in nubby aloof absolute and linen; its 12 sections, which chase the curve of the semi-recumbent animal form, fit calm seamlessly. As the belvedere rises calmly from the kitchen akin to the active area, acceptable even with the aluminum floor, it’s absent in an bouncing sea of apparatus from Le Programme, including a half-dozen iterations of Tapis-Sièges, wool- and linen-upholstered modular squares that assume aggressive by origami, with edges that bend up acclaim to actualize backrests. Forth one bottle bank is a head-to-toe row of armless anemic blooming Declivé bassinet longues in Paulin’s signature appearance of continued bolt over cream aloft a hidden armature; they resemble caterpillars, with segments angled to altered angles to board a array of basement positions. Beyond, in the alfresco addendum of the active space, below the massive cantilevered box that holds the bristles admiral bedrooms, bouncing dividers of a ample cherry-resin U Module shelving arrangement zag accomplished addition of Le Programme’s key pieces: a ablaze white fiberglass anatomy alleged Miami that resembles a affected barbecue table with chip seating.
Resurrecting such archival designs has become an attraction for Alice and Benjamin, admitting they accept no absorption in accomplishment them at scale. They accomplish Paulin Paulin Paulin, the aggregation they founded in 2008 with Maia, now 77, to bottle the designer’s legacy, advance his sketches and analyze new prototypes from their accommodation in Paris’s Ninth Arrondissement, breadth they alive with two adolescent daughters (another is on the way). Select architects and audience accept approved out assertive elements of Le Programme, as able-bodied as added archival pieces the Paulins accept reproduced, including the 1981 glass-topped Cathedral table, with a chicken powder-coated aluminum abject that evokes the aerial struts of Notre Dame. But there is no business plan or cardinal arrangement to actualize a new Paulin empire; the family’s cause seems to appear from achieve deeper. “My ancestor was all about modernizing absolute ideas, and I apperceive this is breadth he would accept capital to go,” Benjamin says. “We’re aloof on the road, wherever it takes us.”
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